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DATE/DAY
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EVENT
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TIME-IST
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01-12-17 To 30-12-17
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Old Hit Songs
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From 7.00 Hrs To 7.00 Hrs
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Every Sunday
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Bas Ek Khayal From Our Rjs
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At 08:30, 14:30, 20:30 Hrs and On Monday 02:30 Hrs IST i.e 03:00,
09:00, 15:00 and 21:00 Hrs GMT
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Every Sunday
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Request Songs From Our Listeners Around The World
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At 09:30, 15:30, 21:30 Hrs and On Monday 3:30 Hrs IST i.e 04:00,
10:00, 16:00 and 22:30 Hrs GMT
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Every Sunday
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Ek Hi Film Se
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At 10:30, 16:30, 22:30 Hrs and On Monday 4:40 Hrs IST i.e 05.00,
11:00, 17:00 and 23:30 Hrs GMT
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Weekdays
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Aapki Pasnad - 10 Favourite Songs From Our Listner
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At 9:00 and 21:00 Hrs IST i.e 3:30 and 15:30 Hrs GMT
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Friday 01-12-2017
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Birthday Of Singer "Udit Narayan"
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Listen Him From 8.00 AM Onwards
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Thursday 14-12-17
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Death Anniversary Of Lyricist "Shailendra"
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Listen His Songs From 8.00 AM
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Friday 15-12-17
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Death Anniversary Of Music Director "Vasant Desai"
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Listen His Music From 9.00 AM Onwards
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Sunday 24-12-17
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Birth Anneversary Of Versatile and Legandery Singer "Mohammad
Rafi"
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Listen His Songs For 24 Hrs From 8:00 AM to Next Day 8:00 AM (IST) i.e
2:30 AM To 2:30 AM
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Friday, 1 December 2017
Programme Schedule 'December 2017
Thursday, 5 October 2017
Movie Review "Judwaa 2"
Firstly, Dhawan — although earnest in his portrayal as long-lost twins
Prem and Raja — simply doesn’t have the star power or charisma that Khan
possesses. It’s not for want of trying, but the jokes are juvenile
(Sample this: Who’s the president of United States: Donald Duck or
Donald Trump?)
The film begins with a smuggler getting cross with a rich businessman
Malhotra (Sachin Khedekar) when he rats on him to custom officials over a
bag of illicit diamonds. But the villain takes off with one of
Malhotra’s newborn twins (Raja) to punish the good Samaritan.
Raja, who was an insignificant pawn in the smuggler’s avenging game,
grows up on the streets of Mumbai after a random lady picks him up from
the railway tracks and adopts him as her son, but Prem grows up as a
sheltered son in the lap of luxury and overprotective parents in London.
Prem is a diffident gentleman, while Raja gets by in life with his wits
and brawn.
Everybody in Judwaa 2 overacts, and the dialogues feel like they were written by an adolescent for his high school drama.
The women, Jacqueline Fernandez and Taapsee Pannu, are on call to look pretty and be airheads with toned bodies. While Fernandez does her bit convincingly by giggling gregariously, Pannu is a misfit and looks lost.
Dhawan’s bronzed torso seems to be another character in this tedious comedy. When everything else fails, a shirtless action sequence or a shirtless song sequence is meant to salvage the worn-out film. Barring few jokes that land, the majority of the gags fail to evoke any emotion.
Even the physical comedy borders on the crude. And employing sidekicks with speech impediments (Rajpal Yadav as Raja’s mate) isn’t funny — back then or now.
But the reboot of the songs by Anu Malik, Oonchi Hai Building and Tan Tana Tan, are fun-filled and take you down a nostalgic route. However, a glitzy music video or a cameo by the original star of Judwaa, Khan, can’t make up for a flawed comedy.
Rating - 2.5/5
Programe Schedule "October 2017'
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Thursday, 31 August 2017
Programme Schedule "Sept 2017"
| DATE/DAY | EVENT | TIME-IST |
|---|---|---|
| 01-09-17 To 30-09-17 | Old Hit Songs | From 7.00 Hrs To 7.00 Hrs |
| Every Sunday | Bas Ek Khayal From Our Rjs | At 08:30, 14:30, 20:30 Hrs and On Monday 02:30 Hrs IST i.e 03:00, 09:00, 15:00 and 21:00 Hrs GMT |
| Every Sunday | Request Songs From Listeners Around | At 09:30, 15:30, 21:30 Hrs and On Monday 3:30 Hrs IST i.e 04:00, 10:00, 16:00 and 22:30 Hrs GMT |
| Weekdays | Aapki Pasnad - 10 Favourite Songs From Our Any One Listner | At 9:00 and 21:00 Hrs IST i.e 3:30 and 15:30 Hrs GMT |
| Tuesday 05-09-17 | Death Anniversary Of Music Director "Salil Chowdhury" | Listen His Music From 9.00 AM Onwards |
| Friday 08-09-17 | Birthday Of Legandry Singer "Asha Bhosale" More Abt her@our blog | Listen Her From 9.00 AM Onwards |
| Tuesday 12-09-17 | Death Annivesary Of Music Director "Jai Kishan"(Shankar Jaikishan) | Listen His Music From 9.00 AM Onwards |
| Sunday 17-09-17 | Death Annivesary Of Lyricist "Hasarat Jaipuri" | Listen His Lyrics From 9.00 AM Onwards |
| Tuesday 26-09-17 | Death Anneversary Of Music Director/Singer "Hemant Da" | Listen His Songs From 9:00 AM |
| Thursday 28-09-17 | Birthday Of Legandry Singer, Padma Vibhu Shushan. Padma Bhushan, Bharat Ratna "Lata Mangeshkar" More about Her @blog | Listen Her Voice 24 Hrs From 9.00 AM Onwards |
Friday, 4 August 2017
Yaaden Kishore Da Ki
Kishore Kumar was born on 4th August 1929 and became one of the greatest Indian film playback singer,
actor, lyricist, composer, producer, director, screenplay writer and
scriptwriter. He is considered the most successful Indian playback
singer of the Hindi film industry of all time. He sang in many Indian
languages including Bengali,Hindi, Assamese,Gujarati, Bhojpuri etc,
He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for winning the most Filmfare Awards in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government
and from that year onwards, the Madhya Pradesh Government initiated a
new award called the "Kishore Kumar Award" for contributions to Hindi cinema.
Music director S. D. Burman is credited with spotting Kumar's talent for singing. Burman recorded with Kumar for Dev Anand's Munimji (1954), Taxi Driver (1954),House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide(1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kumar's home production Chalti Ka Naam Gaadi (1958).
Some of their songs were; "Maana Janaab Ne Pukara Nahin" from Paying
Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi
Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal
Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958). Asha Bhosle and Kumar performed duets composed by Burman including "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958) and "Arre Yaar Meri Tum Bhi Ho Gajab" from Teen Deviyan (1965).
S. D. Burman and Kumar continued to work together, including "Phoolon
Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from Prem Pujari (1969), "Aaj Madhosh Hua Jaaye Re," "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from Sharmilee (1971), "Meet na mila" from Abhimaan (1973), and "Jeevan ki Bagiya mehkegi" from Tere Mere Sapne (1974). In 1975, S. D. Burman composed his last song for Kumar; "Badi Sooni Sooni Hai" for the film Mili.
Kumar
produced, directed, acted in composed the music for Jhumroo (1961), and
wrote the lyrics for the film's title song, "Main Hoon Jhumroo". Later,
he produced and directed Door Gagan Ki Chhaon Mein (1964). He wrote the
script and composed music for the film, which is about the relationship
between a father (Kishore Kumar) and his deaf and mute son (played by
his real-life son (Amit Kumar).
In the late 1960s, Rahul Dev Burman worked with Kishore Kumar on the soundtrack of the film Padosan (1968),
in which Kumar sang "Mere Saamne Wali Khidki Mein" and "Kehna
Hai." Padosan was a comedy in which Kumar as a dramatist-musician,
In 1969, Shakti Samanta produced and directed Aradhana.
He sang two songs in the film; "Meri Sapnon Ki Rani" and "Roop Tera
Mastana". Shakti Samanta suggested that Kumar sing the other songs. When
the film was released, Kumar's two songs established him as a leading
Bollywood playback singer. Kishore Kumar won his first Filmfare award for"Roop Tera Mastana".
In the 1970s and 1980s, Kumar sang for Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra, Sanjeev Kumar, Dev Anand, Shashi Kapoor, Mithun Chakraborty, Vinod Khanna, Dilip Kumar, Randhir Kapoor, Rishi Kapoor, Rajiv Kapoor, Sanjay Dutt, Sunny Deol, Anil Kapoor, Rakesh Roshan, Dilip Kumar, Pran, Sachin, Vinod Mehra, Chunky Pandey, Kumar Gaurav, Govinda and Jackie Shroff.
R.D. Burman recorded several songs with Kumar in the 1970s, including "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang(1971), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971) and "Chingari Koi Bhadke (Amar Prem)" and "Jab Bhi Koi Kangana" from Shaukeen (1986).
Although he was not formally trained in the classical music, R.D.
Burman often had Kumar sing semi-classical songs, such as "Hamein Tum Se
Pyaar Kitna" from Kudrat and "Mere Naina Saawan Bhadon" from Mehbooba.
R.D. Burman recorded several duets pairing Kumar with Asha Bhosle and with Lata Mangeshkar, including "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Jaane Ja Dhoondta" and "Kharoshoo" from Harjai(1982)]
Apart from the Burmans, Kumar worked with other music directors. The composer duo Laxmikant-Pyarelal (L-P)
composed many songs sung by him, including "Mere Mehboob Qayamat Hogi"
from Mr. X In Bombay, "Mere Naseeb Mein Aye Dost" from Do Raaste, "Yeh Jeevan Hai" from Piya Ka Ghar, "Mere Dil Mein Aaj Kya Hai" from Daag, "Nahi Mai Nahi Dekh Sakta" from Majboor, "Mere diwanepan ki bhi" from Mehboob Ki Mehndi, "Naach Meri Bulbul" from Roti, "Chal Chal Mere Haathi" from Haathi Mere Saathi and "Tu Kitne Baras Ki" from Karz. L-P also worked with Kumar and Mohammed Rafi on duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed I love you (Kaate Nahin Katate Yeh Din Yeh Raat)" from Mr. India in (1987), a duet with Kumar and Alisha Chinoy. Salil Chowdhury recorded songs like "Koi Hota Jisko Apna" from Mere Apne and "Gujar Gaye Din Din" from Annadata. Ravindra Jain recorded "Ghungroo Ki Tarah" and the duets "Le Jaayenge Le Jaayenge" from Chor Machaye Shor and "Tota Maina Ki Kahani" fromFakira.
Khaiyyaam recorded Kumar's duets with Lata Mangeshkar, including "Hazaar Raahein" from Thodisi Bewafaii and Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji Anandji recorded several songs with Kumar including Zindagi Ka Safarand Jeevan Se Bhari Teri Aankhein, from Safar, O Saathi Re from Muqaddar Ka Sikandar and Pal Bhar Ke Liye from Johny Mera Naam.
Kumar worked with other composers including Rajesh Roshan, Sapan Chakraborty and Bappi Lahiri. Kumar sang Bhool Gaya Sab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise for Rajesh Roshan's film Julie. Their other songs include Yaadon Mein Woh from Swami, Chhookar Mere Man Ko Kiya Toone Kya Ishaara from Yaarana and Kahiye, Suniye (duet with Asha Bhosle) from Baton Baton Mein. Bappi Lahiri also recorded many songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halaal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984)
and Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with
(Lata Mangeshkar)) likeAlbela Mausamand Pyar Ka Tohfa from Tohfa (1985).
Kishore Kumar married four times. His first wife was Bengali singer and actress Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. His second wife was actress Madhubala, Their marriage ended with Madhubala's death on 23 February 1969.Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore was married to Leena Chandavarkar from 1980 until his death. He had two sons,Amit Kumar with Ruma, and Sumit Kumar with Leena Chandavarkar.
Some Interesting Gossips About Kishor Kumar
Kumar
is said to have been paranoid about not being paid. During recordings,
he would sing only after his secretary confirmed that the producer had
made the payment. On one occasion, when he discovered that his dues had
not been fully paid, he appeared on set with makeup on only one side of
his face. When the director questioned him, he replied "Aadha paisa to
aadha make-up." (Half make-up for half payment). On the sets of Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him 
5,000.
Ashok Kumar persuaded him to do the scene but when the shooting
started, Kumar walked across the floor, walked a few places and
said, Paanch Hazzar Rupaiya (five thousand rupees) and did a somersault.
After he reached the end of the floor, he left the studio. On another
occasion, when producer R.C. Talwar did not pay his dues in spite of
repeated reminders, Kumar arrived at Talwar's residence and shouting
"Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight
thousand") every morning until Talwar paid him.
5,000.
Ashok Kumar persuaded him to do the scene but when the shooting
started, Kumar walked across the floor, walked a few places and
said, Paanch Hazzar Rupaiya (five thousand rupees) and did a somersault.
After he reached the end of the floor, he left the studio. On another
occasion, when producer R.C. Talwar did not pay his dues in spite of
repeated reminders, Kumar arrived at Talwar's residence and shouting
"Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight
thousand") every morning until Talwar paid him.
In
spite of his "no money, no work" principle, sometimes Kumar recorded
for free even when the producers were willing to pay. Such films include
those produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kumar helped actor-turned-producer Bipin Gupta by giving him 20,000
for the film Dal Mein Kala (1964). When actor Arun Kumar Mukherjee—one
of the first persons to appreciate Kishore's singing talent—died, Kumar
regularly sent money to Mukherjee's family in Bhagalpur.
20,000
for the film Dal Mein Kala (1964). When actor Arun Kumar Mukherjee—one
of the first persons to appreciate Kishore's singing talent—died, Kumar
regularly sent money to Mukherjee's family in Bhagalpur.
Many
journalists and writers have written about Kishore Kumar's seemingly
eccentric behavior. He placed a sign that said "Beware of Kishore" at
the door of his Warden Road flat.
Once, producer-director H. S. Rawail, who owed him some money, visited
his flat to pay the dues. Kumar took the money and when Rawail offered
to shake hands with him, Kumar reportedly put Rawail's hand in his
mouth, bit it and asked "Didn’t you see the sign?". Rawail laughed off
the incident and left quickly. According to another reported incident,
once Kumar was due to record a song for producer-director G. P. Sippy.
As Sippy approached his bungalow, he saw Kumar going out in his car.
Sippy asked Kumar to stop his car but Kumar increased his speed. Sippy
chased him to Madh Island where Kumar finally stopped his car near the ruined Madh Fort.
When Sippy questioned his strange behavior, Kumar refused to recognize
or talk to him and threatened to call the police. The next morning,
Kumar reported for the recording session. An angry Sippy questioned him
about his behaviour the previous day but Kumar said that Sippy must have
dreamt the incident and said that he was in Khandwa on the previous
day.
Once,
a producer went to court to get a decree that Kumar must follow the
director's orders. As a consequence, he obeyed the director to the
letter. He refused to alight from his car until the director ordered him
to do so. After filming a car scene in Mumbai, Kumar drove until he
reached Khandala because the
director forgot to say "Cut". In the 1960s, a financier named Kalidas
Batvabbal, who was disgusted with Kumar's alleged lack of cooperation
during the shooting of Half Ticket,
reported to the income tax authorities, who raided his house. Later,
Kumar invited Batvabbal to his home, asked him to enter a cupboard for a
chat and locked him inside. He unlocked Batvabbal after two hours and
told him, "Don’t ever come to my house again".
On
13 October 1987—his brother Ashok's 76th birthday—he died of a heart
attack in Mumbai at 4:45 pm. His body was taken to Khandwa for
cremation. Kumar had recorded his last song, Guru Guru—a duet with Asha Bhosle for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri.
Filmfare Awards
Winner:
Year
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Song
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Film
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Music director
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Lyricist
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1969
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"Roop Tera Mastana"
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Aradhana
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Sachin Dev Burman
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Anand Bakshi
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1975
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"Dil Aisa Kisi Ne Mera"
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Amanush
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Shyamal Mitra
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Indeevar
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1978
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"Khaike Pan Banaras”
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Don
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Kalyanji Anandji
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Anjaan
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1980
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"Hazaar Raahen Mudke”
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Thodisi Bewafaii
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Khayyam
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Gulzar
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1982
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"Pag Ghungroo Baandh"
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Namak Halaal
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Bappi Lahiri
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Anjaan
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1983
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"Agar Tum Na Hote"
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Agar Tum Na Hote
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Rahul Dev Burman
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Gulshan Bawra
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1984
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"Manzilein Apni Jagah”
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Sharaabi
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Bappi Lahiri
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Anjaan
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1985
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"Saagar Kinaare"
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Saagar
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Rahul Dev Burman
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Javed Akhtar
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Friday, 7 July 2017
Movie Review - MOM
It’s always said that ‘Since God cannot be everywhere, He created Mother’. MOM is a heart wrenching story, which mirrors the power of a mother in lieu of the aforementioned adage. The film starts off with school teacher Devki (Sridevi) punishing one of her students in school named Mohit for sending a lewd message to her daughter Arya (Sajal Ali), who also studies in the same class. Despite Sridevi’s love and affection towards Arya, Arya can’t get over the fact that she is her step-mom. There’s a constant brewing tension between them. One night, when Arya goes for a Valentine’s day party with her friends at a far off cottage, Mohit and his accomplices seize the opportunity to get even with her and land up brutally raping her and dumping her in a gutter. What happens after that are a series of court sessions, which ultimately end up declaring the ‘powerful’ Mohit and his partners as innocent and they walk away scot-free. Seeing justice slipping out of her hands, Devki approaches a small time detective Dayashankar Kapoor aka DK (Nawazuddin Siddiqui) to help her. Just as Devki starts ‘punishing’ the culprits, she comes under the radar of the razor sharp police officer Mathew Francis (Akshaye Khanna). What is the reason for Arya to hate Devki so much, does Devki succeed in her plan of exposing the culprits or does she get caught by Inspector Mathew Francis while doing so, what happens of the culprits ultimately and does Arya finally get justice, is what forms the rest of the story.
Rating - 3.5/5
Tuesday, 4 July 2017
Programme Schedule "July 2017"
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